Cinema narrative: Steven Spielberg’s functions & resources as director

Main Article Content

David Caldevilla Domínguez

Abstract

Perhaps one of the most influential private citizens of our time, Steven Spielberg has built his reputation on what is understood as a combination – akin to American commercial cinema – of good technique with comercial scripts and messages. I propose here to create a basis for determining what the stylistic resources of the director are, and how these - in particular his use of disbelief’s suspension - interact with their audience.

Downloads

Download data is not yet available.

Article Details

How to Cite
Caldevilla Domínguez, David. 2002. “Cinema narrative: Steven Spielberg’s functions & resources as director”. Revista de Ciencias de la Comunicación e Información 7 (December):33-45. https://doi.org/10.35742/rcci.2002.7.e204.
Section
Articles
Author Biography

David Caldevilla Domínguez, Complutense University of Madrid

Professor of Bachelor, Doctorate and Degree since 1994 at the Faculty of CC.II. of the Complutense with more than 10 subjects in the areas of Audiovisual Communication and Advertising and Public Relations. Principal Investigator of Grupo Valido Complutense "Concilium". Professor at the European University of Madrid (Advertising and Public Relations), ESERP (in Journalism and Business), IED (Journalism) and IPAM in Oporto - Portugal - (Master in Marketing). Director of several doctoral theses and TFM in the field of cinematography and Public Relations. Director of the CUICIID Congresses (International University Congress on Communication in the profession and in today's University: Contents, Research, Innovation and Teaching). Editor of two scientific journals indexed in IN-RECS and RESH. Author of 6 books: Asturias and La Rioja, a common history, The Spielberg seal, Culture and Public Relations, PR Manual, PR and its foundation and The internal face of business communication. Speaker at more than 70 International Congresses. Guest speaker at academic and professional events. Invited signature in various publications and radio talk show in national media. Marketing director and manager in several companies. "Medal of professional merit" for "Economic news".

References

Ann Banfield (1982) Frases no narrables: Narración y representación en el lenguaje del relato literario. Boston y Londres. Editorial Routledge y Kegan Paul.

Boris Tomashevsky (1925) Teoría de la literatura: Poética. Leningrado. Universidad de Leningrado

Brian Mc Hale (1983) Unspeakable sentences, unnatural acts, linguistics and poetics revisited. Editorial Poetics Today, IV, 1.

Claude Bremond (1974) "La lógica de los posibles narrativos", artículo recogido en Análisis estructural del relato. Buenos Aires. Editorial Tiempo Contemporáneo.

Francisco García García (1991) “El guion en los medios audiovisuales" . Artículo recogido en el Diccionario de ciencias y técnicas de la comunicación. Madrid. Ediciones Paulinas.

Graciela Reyes (1984) Polifonía textual: La citación en el relato literario. Madrid. Editorial Gredos.

Graciela Reyes (1984) Polifonía textual: La citación en el relato literario. Madrid. Editorial Gredos.

Mieke Bal (1990) Teoría de la narrativa: Una introducción a la narratología. Madrid. Editorial Cátedra.

Peter Ravinowitz (1977) Verdad en la ficción: Una reexamen de audiencias. Chicago. Editorial Critical Inquiry.

Roland Barthes (1971) Elementos de semiología. Madrid. Editorial Alberto Corazón.

Seymour Chatman (1990) Historia y discurso: La estructura narrativa en la novela y en el cine. Madrid. Editorial Taurus.

Tzuetan Todorov (1974) "Categorías del relato literario", artículo recogido en Análisis estructural del relato. Buenos Aires. Editorial Tiempo Contemporáneo.